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长安的荔枝2025
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  影片改编自马伯庸同名小说,唐天宝年间,人到中年的李善德(大鹏 饰)骂骂咧咧干了很多活,抠抠搜搜花了不少钱,到头来却还是个无名小吏。然而这一切随着一次召见似乎有了转机,某天有人安排给他一个“荔枝使”的肥差,只要办成,那就是荣华富贵人生逆袭,但要是办不成……
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器子
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  当至亲成为器官黑市中的“商品”,一位父亲选择了最残酷的复仇!前棒球教练张其茂在经历女儿被偷、妻子自杀、自身蒙冤入狱的沉重打击下,多年后出狱的他发现女儿的失踪背后隐藏着更恐怖的阴谋——她可能已成为活体器官买卖网络中的“器子”。为揭开骇人真相并找回女儿,张其茂毅然化身复仇者,独自闯入由金钱与暴力筑成的罪恶迷局,开启了一场以命相搏、惊心动魄的终极对抗。
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放学后病历簿.2025秋
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  本季描绘重返医院的牧野医生与升入初中的学生们的新篇章。藤野一希难以适应中学生活,父亲突然带回新母亲与妹妹更令其家庭归属感崩塌;而顺利完成心脏病手术的冴岛直明升入新年级,虽立志成为牧野医生般的医者,内心仍怀不安。此时,一名因病复发失去求生意志的少女出现在牧野面前。除原作剧情外,本季将新增原创角色故事线。
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海军罪案调查处:欧洲喋血篇
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  After Ziva's apparent death, Tony raises their daughter Tali. Years later, Ziva returns, and reunites with Tony. Tony's company is attacked, the family goes to Europe, trying to learn who&#..
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  It’s a recognizable near-future, Simon (Brett Goldstein) accompanies his best friend, Laura (Imogen Poots), as she takes a new test guaranteeing to match anyone with their soulmate. As Laura hurtle..
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《德拉克的回归》剧情介绍

爱豆影视提供影视作品德拉克的回归高清全集在线观看的影视全集网,剧情片《德拉克的回归》全集作品的导演是爱德华·格莱纳   ,由拉多万·卢卡夫斯基  古斯塔夫·瓦拉赫  艾米丽娅·瓦萨约娃  威廉·波洛尼  Jela Buckova  Jozef Cierny  Pavel Chrobak  米库拉斯·洛迪津斯凯  Ivan Macho  Ján Mildner  Andrej Mojzis  Jan Pelech  卢多维特·赖特尔  斯特凡·克维季克  Milan Mach  主演,德拉克的回归在豆瓣的评分为0.0,本片由小编于2025-06-22 09:42更新,希望大家喜欢,可以把《德拉克的回归》推荐给你朋友,本作品的地址为 https://www.fzbqg.com/movie/index34683.html

《德拉克的回归》简介:

  与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。
  A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

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